The finalists this year were photog­raphers, sculptors and installation artists. Hart’s installations of fiber sculpture, which she describes as “wrapped, knotted, sewn and housepaint-slath­ered;’ occupied corners and alcoves, softly lit with pink and lavender lighting, their organic qualities evoking domestic femininity on the surface but with a manic creepiness Undeath.
2024’s finalists are outstanding. Samuel Aye­-Gboyin, a Florida photographer originally from Ghana, brings an unusually mature eye to por­traiture, elevating Ghanaians in their everyday Jives with gorgeously lit, seemingly casual black and white compositions. Fernando Ramos pho­tographs in color, and takes his portraiture a step further with many subjects in masks or cos­tumes. Diego Alejandro Waisman, originally from Argentina, pursues themes of displacement in his photographs of Miami’s trailer parks, which have their own dark poetry about them. Clio Yang is a Florida-based mixed media artist; besides pho­tography, Yang’s video installation “Blind Box” at UCF is seen through a scrim jumping with text and drawings.”
Samuel Aye-Gboyin – Pathways 2024: The Carlos Malamud Prize Finalist
 I am humbled and excited to finally share that I have been selected as a finalist for the Pathways 2024: The Carlos Malamud Prize. The show is organized by The Rollins Museum of Art and the UCF Art Gallery at the University of Central Florida.
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