Rearview Mirrors, 2021
The Charcoal Vendor, 2021
The Farmer, 2021
The Kenkey Vendor, 2021
The Teacher, 2021
The Coconut Vendor, 2021
The Koko Vendor, 2021
Installation shot, pathways 2024, Rollins Museum
Installation shot, pathways 2024, University of Central Florida
Rare View Mirror is a photography project developed with the collaboration of Ernest Boateng. It highlights the lives of marginalized individuals, particularly those who support Ghana's small-scale industries. By placing these often-overlooked figures in settings typically associated with power, privilege, and beauty, the project challenges prevailing societal perceptions and biases. The work invites viewers to reconsider the boundaries between the ordinary and the exceptional. Ultimately, it functions as a form of social commentary—using art to provoke reflection on the value, visibility, and contributions of marginalized members of society.
It Felt Like Home, 2024
It Felt Like Home is a 22-image photography series created with the collaboration of Yujin Eun. The project captures Pike Market as a living monument where history, community, diversity, and sustenance converge. Through its lens, the market is revealed as a vibrant hub of cultural exchange and continuity, showcasing the richness of its vendors and visitors. The series highlights the market’s dual role in providing both physical nourishment and in preserving traditions, heritage, and a sense of belonging. Each image resonates with echoes of markets in my home country, Ghana—the sounds, the smells, the energy—making the title deeply personal and true: It felt like home
Boxes, 2024
The Lotto Kiosk, 2024
The Barber Kiosk, 2024
Boxes examine the cultural and architectural significance of kiosks in urban spaces. Through a dynamic narrative explore the hybrid nature of these structures and their roles in shaping both the physical and social landscapes of Accra Ghana.
Ebeji(Twins), 2024
xoxo i, 2024
xoxo ii, 2024
xoxo iii, 2024
xoxo iv, 2024
This series explores the spiritual and cultural significance of twins in diaspora societies, focusing on the tension between their interconnectedness and individuality. Using techniques like double exposure and mirror reflections, the work blurs the boundaries between the twins while also highlighting their distinct identities. It invites viewers to reflect on the complex symbolism of twinship, exploring themes of identity, cultural reverence, and spiritual meaning.
