Rearview Mirrors, 2021
Rare View Mirror is a photography project that highlights the lives of marginalized individuals, particularly those who sustain Ghana's small-scale industries. By placing these often-overlooked individuals in contexts associated with power, privilege, and beauty, the project challenges societal perceptions and biases, the work encourages viewers to reconsider the boundaries between the ordinary and the exceptional. Ultimately, it serves as a social commentary, using art to provoke reflection on the value and roles of marginalized members within society.
It Felt Like Home, 2024
This 22-image series captures Pike Market as a living monument that blends history, community, diversity, and sustenance. The photographs explore the market’s role as a hub of cultural exchange and continuity, showcasing the rich diversity of vendors and visitors. The work emphasizes the market’s importance as a space for both literal nourishment and the preservation of traditions, heritage, and community. Each image reflects the sustaining power and similarity to markets in my home country Ghana, the sound, the smell..hence the title it felt like home.
Boxes, 2024
Boxes is a visually and sonically immersive film that examines the cultural and architectural significance of kiosks in urban spaces. Through a dynamic narrative and soundscape, the film explores the hybrid nature of these structures and their roles in shaping both the physical and social landscapes of the city.
Ebeji, 2024
This series explores the spiritual and cultural significance of twins in diaspora societies, focusing on the tension between their interconnectedness and individuality. Using techniques like double exposure and mirror reflections, the work blurs the boundaries between the twins while also highlighting their distinct identities. It invites viewers to reflect on the complex symbolism of twinship, exploring themes of identity, cultural reverence, and spiritual meaning.